Photorealistic underwater images of a full-length object (a marble bust sculpture in a photograph) suspended under a ornate wooden window frame with six panes, floating vertically just below the rippled surface of the water; the frame is positioned vertically in the center of the upper third, with the front side visible, six distinct square panes with ornamental muntins, and decorative carved molding at the lower middle edge, with a collection of silver foam and light refractions directly above it. The subject occupies the middle-lower third, the sculpture is completely horizontal - the base plane is parallel to the lower edge of the image, the top is to the left of the camera, the pedestal is to the right, the overall form is rigid and still, the texture is smooth with classical contours, a stream of small bubbles rises diagonally towards the window frame, and the sculpture's face should be angled upwards, towards the surface/frame (the nose is slightly raised, and the gaze direction is upward). The water forms a dark gradient from emerald to teal, with the brightest color at the surface and almost black at the bottom, leaving a significant amount of negative space around the subject. Shot on ARRI Alexa 35 in an underwater housing with Zeiss Supreme Prime 28mm lens at f/4, 1/250 s, ISO 400, daylight white balance, Kodak Portra 400 film stock emulation. Lit only by sunlight from above with soft volumetric rays and sharp highlights on the ornamental details of the frame, minimal backscatter, crisp detail in the bubbles, clean edges, fine outlines; cinematic teal-green color grade with neutral whites and Rembrandt-style side illumination. No fish, no particles, no text, no additional elements. Highly realistic skin texture with visible pores, natural micro-imperfections, slight blemishes, no smoothing, no beauty filter, no airbrushed or plastic skin texture. Negative: airbrushed skin, plastic texture, waxy face, over-smoothing, beauty filter, CGI skin