1) SUBJECT & IDENTITY One adult woman, single subject. Extreme close-up portrait, face occupies approximately 75–80% of the frame height. Facial geometry, proportions, asymmetry, age cues preserved exactly as visible. Natural skin texture with visible pores, uneven microrelief, and micro-shadows. No beautification, no smoothing, no idealization. 2) SCENE The woman's face is seen through torn deep blue paper. The paper opening is irregular and asymmetric. Background behind the subject remains dark and undefined. No text, no graphics, no symbols. 3) POSE & PRESENCE Head facing directly toward the camera. Eyes looking straight into the lens. Expression neutral and controlled. Both hands grip the paper edges from behind. Finger pressure visibly deforms the paper inward. Paper tension increases near finger contact points. 4) CAMERA & COMPOSITION Vertical framing. Camera at eye level, perpendicular to the face. No tilt, no rotation. Lens behavior: short telephoto compression (approx. 85–100mm equivalent). No wide-angle distortion. Depth of field shallow but sufficient to keep face and paper edges in focus. 5) LIGHTING Single frontal light source slightly above eye level. Soft but directional light. Shadows form under brow ridge, nose, lower lip, and within paper layers. Light temperature neutral. No cinematic contrast shaping. 6) WARDROBE & MATERIALS Paper material (CRITICAL): — Thick, multi-layered fibrous paper — Visible cellulose fibers at torn edges — Uneven fiber lengths protruding irregularly — Layer separation visible where paper has torn — Inner paper layers slightly darker due to density — Matte surface with micro-roughness — No glossy coating 7) MATERIAL BEHAVIOR (PAPER PHYSICS) Paper tears follow fiber direction, not clean lines. Edges show micro-fractures, feathering, and crushed fibers. Paper bends inward under hand pressure. Local creasing occurs near grip points. Tear thickness varies along the edge. No symmetry, no clean curves. Paper holds partial rigidity but collapses locally where stressed. 8) BODY ↔ MATERIAL INTERACTION Fingers compress paper edges. Pressure points create localized indentations. Paper edge thickness visibly increases where layers overlap. Micro-shadows appear between paper layers and fibers. 9) COLOR & LIGHT INTERACTION Deep blue paper color varies due to thickness and fiber density. Darker blue in folded and layered areas. Lighter blue on exposed fiber tips. Skin tones remain neutral and unaffected by paper color bleed. No color grading. 10) REALISM & OUTPUT Photographic realism only. Paper texture remains readable at close inspection. Fibers remain visible under light. No artificial grain, no HDR, no stylization. No text, no logos, no watermarks. 11) AVOID No poster aesthetics. No cinematic mood language. No smooth or "cut-out" paper edges. No digital-looking tears.