Promere
**Type:** Photorealistic Studio Commercial Scene **Subject:** Live eagle perched on Ferrari F8 Tributo hood, forming Ferrari prancing horse silhouette **Scene & Layout:** - Indoor professional photography studio with controlled environment - Ferrari F8 Tributo positioned center frame - Live eagle balanced on hood: - Talons firmly gripping hood surface - Wings spread wide, forming the iconic Ferrari prancing horse silhouette - Large billowing silk fabric suspended behind the car, oversized to encompass eagle entirely, backdrop acting as canvas - Camera angle: frontal/3⁄4 side, slightly low to emphasize verticality and drama **Objects & Environment:** - Ferrari with glossy crimson paint, visible emblem and aggressive grille - Eagle anatomically correct: feather detail, muscular wings, intense gaze - Fabric: oversized, flowing and billowing, natural undulating folds - Studio floor reflective, subtle shadows under eagle and car - Soft studio elements visible (light stands, softboxes, reflectors) **Lighting:** - Key light from above/side to accentuate eagle plumage and fabric texture - Fill light for even illumination without washing out details - Rim/backlight to separate eagle from dark or neutral background - Subtle reflections on car surface and floor **Camera & Optics:** - 60mm macro lens, f/3.2–4.5 for shallow depth of field - Focus on eagle and fabric center, background slightly softened **Visual Quality Constraints:** - Physically plausible pose: eagle stably perched on car hood - Ultra-realistic textures: eagle feathers, car paint, silk fabric folds - Cinematic, high-end commercial photoshoot feel - Eagle perfectly centered on fabric, forming live Ferrari emblem silhouette Highly realistic skin texture with visible pores, natural micro-imperfections, slight blemishes, no smoothing, no beauty filter, no airbrushed or plastic skin texture. Negative: airbrushed skin, plastic texture, waxy face, over-smoothing, beauty filter, CGI skin
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Created by Konvert Media

Prompt

**Type:** Photorealistic Studio Commercial Scene **Subject:** Live eagle perched on Ferrari F8 Tributo hood, forming Ferrari prancing horse silhouette **Scene & Layout:** - Indoor professional photography studio with controlled environment - Ferrari F8 Tributo positioned center frame - Live eagle balanced on hood: - Talons firmly gripping hood surface - Wings spread wide, forming the iconic Ferrari prancing horse silhouette - Large billowing silk fabric suspended behind the car, oversized to encompass eagle entirely, backdrop acting as canvas - Camera angle: frontal/3⁄4 side, slightly low to emphasize verticality and drama **Objects & Environment:** - Ferrari with glossy crimson paint, visible emblem and aggressive grille - Eagle anatomically correct: feather detail, muscular wings, intense gaze - Fabric: oversized, flowing and billowing, natural undulating folds - Studio floor reflective, subtle shadows under eagle and car - Soft studio elements visible (light stands, softboxes, reflectors) **Lighting:** - Key light from above/side to accentuate eagle plumage and fabric texture - Fill light for even illumination without washing out details - Rim/backlight to separate eagle from dark or neutral background - Subtle reflections on car surface and floor **Camera & Optics:** - 60mm macro lens, f/3.2–4.5 for shallow depth of field - Focus on eagle and fabric center, background slightly softened **Visual Quality Constraints:** - Physically plausible pose: eagle stably perched on car hood - Ultra-realistic textures: eagle feathers, car paint, silk fabric folds - Cinematic, high-end commercial photoshoot feel - Eagle perfectly centered on fabric, forming live Ferrari emblem silhouette Highly realistic skin texture with visible pores, natural micro-imperfections, slight blemishes, no smoothing, no beauty filter, no airbrushed or plastic skin texture. Negative: airbrushed skin, plastic texture, waxy face, over-smoothing, beauty filter, CGI skin

Classification

Fantasy & CreativeConceptual product compositionPhotorealisticStudioDramaticMedium ShotDSLR/Mirrorless

Generation Settings

Modelflux-pro v1.1
Quality1K
Dimensions1024 × 1024
Aspect Ratio1:1
Reference Usageno_reference

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```json { "task": "lifestyle_image, digital_art", "subjects": [ { "id": 1, "gender": "FEMALE", "appearance_details": "Молодая женщина, 22 года. Светлые зеленые глаза, смотрящие вниз на свои руки. Выражение лица задумчивое, слегка грустное, будто она погружена в размышления. Русые, длинные, волнистые волосы, которые выглядят как после ветра. Естественный тон кожи, свежий макияж.", "clothing": "Одета в джинсовую рубашку, темные джинсы, кожаный ремень, белые кроссовки.", "pose": "Стоит с легким наклоном вперед. Голова слегка опущена, взгляд направлен вниз на свои сложенные руки. Одна рука держит сумку через плечо, другая сжимает край рубашки. Поза очень естественная, задумчивая, как будто поймана между делом." }, { "id": 2, "gender": "NON_BINARY", "appearance_details": "Персонаж в стиле Minecraft (кубический, пиксельный). Имеет схожие с первым субъектом базовые черты: русые «волосы» (пиксельный светло-коричневый квадрат на «голове»), «зеленые глаза» (два пикселя). Выражение статичное, но поза идентична.", "clothing": "Точная, но пиксельная версия джинсовой рубашки, джинсов, ремня и кроссовок.", "pose": "ПОЗА ТОЧНО КАК У СУБЪЕКТА 1. Стоит рядом, в той же позе, являясь его зеркальным, пиксельным отражением. Его кубическое тело также слегка наклонено вперед. «Голова» наклонена вниз под тем же углом. Его «руки» (прямоугольные выступы) находятся в точно таком же положении — одна держит маленькую пиксельную сумку, другая у края туловища. Полное зеркальное копирование позы живого человека, но в угловатой, кубической манере." } ], "scene_description": "Это странный, но пронзительный момент из цифровой жизни, подчеркнутый идеальной синхронностью. Молодая женщина замерла посредине спокойной парковой аллеи в осеннем Нью-Йорке, погруженная в размышления о чем-то важном. Прямо рядом с ней, как ее собственное пиксельное альтер-эго из вселенной Minecraft, стоит ее точная копия, повторяющая позу до мельчайшего движения. Они обе смотрят вниз, обе держат свои вещи в идентичных позах, создавая сюрреалистичный и философский дуэт. Кадр снят спонтанно, на смартфон, с типичной для BeRaw спонтанностью, но идеальное зеркалирование между живой, органичной позой и ее угловатым, цифровым воплощением заставляет задуматься о наших двойниках в виртуальном мире. Настроение — задумчивое, немного отчужденное и психоделичное.", "style": { "vibe_aesthetic": "'BeReal' meets 'Digital Glitch'. Спонтанный, непостановочный лайфстайл-кадр с элементом цифрового искусства и игровой эстетики. Должно выглядеть как реальное фото, на которое случайно попал 3D-объект из игры, синхронизировавшийся с человеком.", "lighting_mood": "Мягкий, рассеянный свет осеннего дня в городе. Свет косой, но не жесткий (осенняя дымка или свет, отраженный от листвы и зданий). Освещает сцену равномерно, создавая ощущение умиротворения, подчеркивая обыденность момента и все детали — как текстуру кожи, так и плоские грани пиксельного персонажа. Идентичное освещение подчеркивает идентичность поз.", "texture_color": "Палитра: Теплые, приглушенные оттенки осени (охра, терракота, золотой) на фоне опадающей листвы, контрастирующие с простой черно-белой гаммой одежды персонажей. Контраст между органической текстурой кожи, деревьев, камня и гладкой, цифровой, пиксельной поверхностью майнкрафт-персонажа. Насыщенность — естественная, как на хорошем айфоне, слегка приподнятая в тенях.", "avoid": ["Яркие, насыщенные цвета", "темный или мрачный фон", "сглаженная кожа (портретный режим)", "HDR-эффект", "следы явного фотошопа", "позы персонажей, отличающиеся друг от друга"] }, "composition": { "type": "Портрет в полный рост (environmental portrait).", "framing": "Средний план. В кадре персонажи примерно по колено, плюс пространство вокруг них. Они стоят близко друг к другу, их фигуры и идентичные позы создают сильный визуальный ритм. Смещены от центра.", "angle": "Уровень глаз или чуть ниже (съемка с высоты груди фотографа). Это создает ощущение, что друг просто стоял рядом и снял их.", "focus": "Небольшая глубина резкости, имитирующая портретный режим на iPhone. Главный объект фокуса — лицо и руки живой женщины. Майнкрафт-персонаж, находящийся в той же плоскости, также должен быть в фокусе или почти в фокусе, чтобы подчеркнуть их связь. Фон размыт.", "negative_prompts": ["Симметричная композиция", "разные позы", "сильное размытие майнкрафт-персонажа", "отсутствие фона"] }, "technical": { "camera_simulation": "Смартфон iPhone 15 Pro Max. Основная широкоугольная камера (24mm eq.).", "lens_simulation": "Широкоугольный объектив с минимальной дисторсией. Имитация работы портретного режима (вычисление глубины картинки).", "lighting_technical": "Естественный солнечный свет осеннего дня. Автоматический HDR смартфона должен быть «включен», но не перегружен.", "post_processing": "Типичная для iPhone фотообработка: чуть повышенная контрастность, чистые, слегка приподнятые тени, теплый баланс белого (около 5000K). Легкое усиление насыщенности желтых и красных оттенков. Резкость — естественная." }, "environment": { "venue_geometry": "Типичный для осеннего Нью-Йорка парк: узкая аллея, обрамленная высокими деревьями с золотой и красной листвой, старые каменные скамьи, видны здания с красного кирпича вдали.", "atmosphere": "Прохладный, пасмурный осенний день. Воздух свежий, влажный. Листья падают медленно.", "clutter_details": "Детали, создающие реализм: опавшие листья у их ног, ветка, лежащая на земле, скамейка из камня позади. На заднем плане, в зоне размытия, — проходящие люди в осенней одежде, вдали видна ржавая металлическая дверь здания." } } ```, "skin_realism": "Highly realistic skin texture with visible pores, natural micro-imperfections, slight blemishes, no smoothing, no beauty filter, no airbrushed or plastic skin texture.", "negative_prompt": "airbrushed skin, plastic texture, waxy face, over-smoothing, beauty filter, CGI skin" }
flux-pro v1.10
A teacup on a saucer, seen from above at a slight angle. The tea inside the cup is a perfect miniature ocean — with tiny waves, a small island visible in the center, and a microscopic lighthouse on the island emitting a pinpoint of light. The teacup is fine white porcelain with a blue floral pattern on the exterior. The saucer has a silver spoon resting on it. Steam rises from the ocean-tea. Shot on Canon R5, 100mm macro, f/4. Surreal food photography. Negative: cartoon, normal tea, person, text, watermark.
flux-pro v1.10
An ornate throne made entirely of living coral — branches of red, pink, orange, and white coral forming the armrests, a high back, and thick legs. The throne sits on a white sand ocean floor in shallow turquoise water, approximately 15 feet below the surface. Shafts of sunlight penetrate the water from above, hitting the throne and casting dappled caustic light patterns on the sand around it. Small tropical fish — blue, yellow, orange — swim through the coral armrests. Sea grass sways gently near the base. Vertical composition, the throne filling the frame. Shot underwater, 15mm wide angle, f/5.6, natural light only. Negative: person sitting, cartoon, dark murky water, text, watermark.
flux-pro v1.10
Ultra realistic underwater fantasy photograph, 4:5 vertical. An ornate throne made entirely of living coral, sitting on white sand on the ocean floor in shallow tropical water. MATERIAL PHYSICS — CORAL THRONE: The throne is approximately 5 feet tall — a high-backed ceremonial seat. It is not carved coral — it is GROWN coral. Different species of living coral form different parts of the structure: - Backrest: Branching red organ-pipe coral (Tubipora musica) forms the tall back — hundreds of thin red tubes bundled together, some branching outward at the top like a crown - Armrests: Massive brain coral (Diploria) forms each armrest — the characteristic labyrinthine groove pattern visible on the rounded surfaces, pale tan with green-brown valleys - Seat: A flat plate of table coral (Acropora) creates the seat surface — thin, flat, slightly concave, pale brown - Legs: Four thick pillar coral (Dendrogyra) supports — cylindrical, grey-brown with fine polyp texture visible The coral is ALIVE — tiny polyps are extended on some surfaces, visible as small translucent tentacle clusters. The colors are natural, not day-glo — muted reds, tans, browns, pale greens. This is real reef color, not cartoon reef color. MATERIAL PHYSICS — WATER: Shallow tropical water approximately 15 feet deep — warm, clear, turquoise. The turquoise color comes from white sand reflecting sunlight upward through the water column. Visibility is 80+ feet. The water has slight particulate — not murky, but enough to show the sunlight shafts as slightly brighter diagonal beams entering from the surface above. MATERIAL PHYSICS — LIGHT: Shafts of tropical sunlight penetrate the surface above — three major shafts visible as bright diagonal beams, the edges defined by the particulate in the water. Where a shaft hits the throne, the coral surfaces are brightly lit and their colors saturate. Where the throne is between shafts, the coral is lit by softer ambient underwater light — bluer, dimmer. Caustic light patterns (the dancing ripple-refraction pattern from surface waves) play across the white sand floor around the throne — constantly moving bright lines. MARINE LIFE: A small school of blue chromis (10-12 tiny bright blue fish) hover near the throne's backrest. A single larger angelfish (Emperor angelfish — blue and yellow stripes) passes at the left edge of frame. A sea fan (purple gorgonian) grows from the sand beside the throne, waving slightly in the current. CAMERA: Underwater housing, Nikon Z8, 15mm rectilinear wide angle, f/5.6, ISO 400. Natural light only — no strobes. NEGATIVE PROMPT: person, diver, crown, dark water, murky, deep ocean, cartoon, text, watermark.
Nano 20
An old cemetery gate — wrought iron between stone pillars, partially open. The iron gate shows ornate scrollwork, leaves, and a central cross, all corroded with rust and verdigris. One hinge is broken, the gate leaning. Through the opening: a path through old gravestones with tall grass and wildflowers growing between them. A large tree provides shade. Morning mist. 50mm, f/4. Negative: people, modern, text readable on graves, watermark.
flux-schnell0
Dynamic overhead angle photograph of a muscular athletic woman with long braided hair and bright orange mirrored sport sunglasses, mouth wide open in a victorious yell, pouring a neon green sports drink from a translucent bottle into her mouth with the liquid stream clearly visible. She is wearing black fingerless training gloves. She's extremely sweaty with heavy perspiration covering her face, neck, shoulders and arms. Wearing a white fitted sports bra, black compression leggings, and bright coral running shoes with white soles. Shot from directly above at bird's eye view angle. Background: standing on the summit observation deck of a mountain with dramatic snow-covered peaks, blue sky, and wispy clouds visible below. Professional sports photography, photorealistic, high detail, dramatic alpine setting, intense post-workout summit celebration moment, 4K quality, sharp focus on subject with majestic mountain landscape surrounding.
flux-schnell0
A collection of smooth river stones arranged by someone on a flat rock beside a stream. The stones are arranged by color gradient — from nearly white through greys to nearly black, forming a spectrum. Each stone is water-smoothed and ovoid. The stream is soft blur behind. A single fallen leaf sits on one stone. The arrangement is temporary art — it will be undone by the next high water. 50mm, f/4. Negative: person, text, watermark.
flux-schnell0
1) SUBJECT & IDENTITY One adult woman, single subject. Extreme close-up portrait, face occupies approximately 75–80% of the frame height. Facial geometry, proportions, asymmetry, age cues preserved exactly as visible. Natural skin texture with visible pores, uneven microrelief, and micro-shadows. No beautification, no smoothing, no idealization. 2) SCENE The woman's face is seen through torn deep blue paper. The paper opening is irregular and asymmetric. Background behind the subject remains dark and undefined. No text, no graphics, no symbols. 3) POSE & PRESENCE Head facing directly toward the camera. Eyes looking straight into the lens. Expression neutral and controlled. Both hands grip the paper edges from behind. Finger pressure visibly deforms the paper inward. Paper tension increases near finger contact points. 4) CAMERA & COMPOSITION Vertical framing. Camera at eye level, perpendicular to the face. No tilt, no rotation. Lens behavior: short telephoto compression (approx. 85–100mm equivalent). No wide-angle distortion. Depth of field shallow but sufficient to keep face and paper edges in focus. 5) LIGHTING Single frontal light source slightly above eye level. Soft but directional light. Shadows form under brow ridge, nose, lower lip, and within paper layers. Light temperature neutral. No cinematic contrast shaping. 6) WARDROBE & MATERIALS Paper material (CRITICAL): — Thick, multi-layered fibrous paper — Visible cellulose fibers at torn edges — Uneven fiber lengths protruding irregularly — Layer separation visible where paper has torn — Inner paper layers slightly darker due to density — Matte surface with micro-roughness — No glossy coating 7) MATERIAL BEHAVIOR (PAPER PHYSICS) Paper tears follow fiber direction, not clean lines. Edges show micro-fractures, feathering, and crushed fibers. Paper bends inward under hand pressure. Local creasing occurs near grip points. Tear thickness varies along the edge. No symmetry, no clean curves. Paper holds partial rigidity but collapses locally where stressed. 8) BODY ↔ MATERIAL INTERACTION Fingers compress paper edges. Pressure points create localized indentations. Paper edge thickness visibly increases where layers overlap. Micro-shadows appear between paper layers and fibers. 9) COLOR & LIGHT INTERACTION Deep blue paper color varies due to thickness and fiber density. Darker blue in folded and layered areas. Lighter blue on exposed fiber tips. Skin tones remain neutral and unaffected by paper color bleed. No color grading. 10) REALISM & OUTPUT Photographic realism only. Paper texture remains readable at close inspection. Fibers remain visible under light. No artificial grain, no HDR, no stylization. No text, no logos, no watermarks. 11) AVOID No poster aesthetics. No cinematic mood language. No smooth or "cut-out" paper edges. No digital-looking tears.
flux-schnell0